R stevie moore swing and miss review9/25/2023 ![]() ![]() Moore was clearly as excited by the likes of Talking Heads and the Ramones (who get namechecked on "Compatibility Leaves" and the gloriously snotty falsetto workout "Apropos Joe," respectively) as he had been by the Beatles and the Mothers of Invention ten years previous, and the new interest had a stunning effect on his songwriting: sprinkled in among the Todd Rundgren-influenced power ballad "Do You Feel About the Same?," the hysterical, cacophonous freakout "What is the Matter With Me?" and the proggy synthesizer instrumental "The Swings' Eulogy" (a farewell to the Holiday Inn covers band Moore had just left) are sparkling slices of punk-influenced power pop like "How Many Moore," the sweetly deranged piano solo "The Holocaust Parade" and "Oh Pat," as well as the bouncy, Wings-like "Alcohol Call" and "Irony," which showcases Moore's burgeoning knack for bittersweet love songs delivered in a dreamy voice over layers of jangling guitars. Even more importantly, it's the first of Moore's albums to show a pronounced punk and new wave influence throughout. Stevie Moore recorded in Nashville before moving for good to northern New Jersey later that year. Stevie Moore's all-time career high points), 1978's Sheetrock is nonetheless a pivotal recording. 24 I Never Know (3:02) 2-2-78 Total Time = 61:52Įxcept 6, 10, 13, 16-19 at Billy Anderson's, 2219Ĭomposed by Moore / except 2 Traditional ĪMG REVIEW: Although it's not quite up to the standards of its immediate predecessor Swing and a Miss (one of R.18 Who You Gonna Do-do On Today? (2:36). ![]()
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